The Mondsee Gospels

  Date: 11th century Place of Production: Regensburg, Germany Description: This eleventh-century Gospel Book is famous for its exquisite detail and the rarity of its survival as a complete book. The cover demonstrates all the hallmarks of Ottonian art, with silver filigree and gilding. Ivory plaques depict the four Evangelists, while a golden image of the…

Christ in Glory with Keys

Date: c. 1050 Place of Production: Germany(?) Description: An ivory panel depicting Christ, with a halo above him. Here, he sits upon a globe with a book in his left hand and two keys in his right. Held at: British Museum Accession Number: 1856,0623.28 Images released under Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)…

Pyxis

Date: 10th Century Place of Production: Spain Description: This cylindrical box, known as a pyxis (Arabic ushnan), would have been used to store aromatics and cosmetics. Adorned with secular imagery, it includes interwoven vines and geometrically symmetrical birds enclosed within heart-shaped compartments, sheltered under a canopy of wide leaves.This example belongs to a group of…

The Adoration of the Magi

  Date: c.985–c.990 Place of Production: Germany(?) Description: This panel depicts two Magi presenting their gifts to Christ and the Virgin Mary, who were presumably originally on the left-hand panel along with the third Magus. The panel is decorated with an acanthus border, a popular motif in this period, while buildings decorate the background of…

St Mark writes the Gospel

Date: 11th century Place of Production: Cologne, Germany Description: This ivory would originally have been one of four, each representing one of the four evangelists, and together they probably decorated a gospel book. Mark appears here alongside his traditional symbol, the lion. The scroll reads ‘vox clamantis’, an abbreviated version of one of the opening…

The Bursa Reliquary

Date: 10th Century Place of Production: Northern Italy Description: This reliquary, a box designed to hold the holy remains of a saint, was originally painted with copper foil, and green and vermillion paint – the paint is in fact still visible. The ‘open-work’ design features interlace and animals depicted as part of a deliberately flat…